Analysis of Organizational Success, Failures and Consequences, Term Paper

Analysis of Organizational Success, Failures and Consequences, Communication Policies, and STS Practices of Alcan Organization - Term Paper Example General systems in an organization involve several systems, which work together. The socio-technical system involves a proper blending of the social and technical systems in an organization (Girard, 2005). This is a combination of technology and people. Alcan Company consists of four groups of prime systems, which are responsible for managing the different types of units within each particular group (Girard, 2005). The first system is the Alumina and Bauxite business group. This group has the responsibility of getting bauxite through purchase or extraction, then having it refined into grades that are smart. The grade that is smart is then used to produce primary aluminum. This group consists of refineries that supply smelter-grade alumina to the primary metal group of the company and a global networking of bauxite mines. Alcan Company operates about eight bauxite mine and the seven smelter-grade refineries of alumina, seven alumina plants all over the world (Girard, 2005). The second general organizational system is the Primary Metals group. This group consists of the Alcan aluminum and facilities smelting, and installations of power generation for the company. This unit manages to employ about 20,000 individuals in the whole world. The unit produces various forms of aluminum. These are used in many markets like the foil; transportation; automotive beverage; construction; building; machinery sector; and consumer goods. The processing of Alcan’s aluminum is done in the twenty-four smelters of aluminum that are operated or owned partially by the company (Girard, 2005). The third general organization system is the unit of the engineered product. The headquarters of this group is in Paris. The system produces fabricated and composite aluminum products that are used for different purposes (Girard, 2005). This unit employs about 12000 workers at 37 Alcan network offices, 50 service centers, and 48 production facilities in the whole world. Aluminum used in prod ucing products that are engineered is bought from the primary metal business unit and suppliers who are third parties (Girard, 2005).  

Comparing the Bible and Margaret Laurences The Stone Angel: An Examin

Comparing the Bible and Margaret Laurence's The Stone Angel: An Examination of Archetypal References Often times great novels and plays allude to religion, to mythology, or to other literary works for dramatic purposes. Shakespearean plays are perfect examples. Allusions help the reader or spectator better understand, through visualization, a character or an event in a novel. In some cases, the characters, the events, or a series of events are structured according to the people and the action in other stories, whether the stories be religious, mythological, classical, or historical. The character or the event, therefore, becomes a prototype of the character or event alluded to. A prototypical character in a novel is usually referred to as an archetype. The Stone Angel, a chronicle of Hagar Shipley's life, purposely or coincidentally parallels the Biblical story of Hagar, the Egyptian bondwoman, from the book of Genesis; thus, Hagar Shipley is an archetype of the Biblical Hagar. In fact, many of the events and people in The Stone Angel are similar to the events and people from the book of Genesis. The most important archetypal reference, however, is Hagar herself, for many of the things she does, says, and represents are indicative of the things the Biblical Hagar does, says, and represents. Aside from sharing the same name, to what extent does Hagar Shipley resemble the Egyptian Hagar, and, to what extent does The Stone Angel resemble the book of Genesis? Although both stories are very similar, they are also very different. These similarities and these differences become apparent upon examination of Hagar, John, Marvin, Bram, and the Biblical characters they parallel. As earlier stated, Hagar Shipley's character is v... ...l archetypes in The Stone Angel should consider and examine several aspects before delving into their work. As a tip, before writing anything, ask yourself to what extent, in your own view, does Hagar and all other characters match their archetypes, if at all? Are the two stories similar enough that their resemblance is, in no way, accidental? These questions will help strengthen your arguments. Bibliography and Works Cited Blewett, D.. "The Unity of the Manawaka Cycle." The World of the Novel: A Student's Guide to Margaret Laurence's The Stone Angel. Ed. Lillian Perigoe and Beverly Copping. Scarborough: Prentice Hall Inc., 1983. 36. Laurence, Margaret. The Stone Angel. Toronto: McClelland &Stewart Inc., 1988. Thomas, Dylan. "Do Not Go Gentle into that Good Night." The Stone Angel. Margaret Laurence. Toronto: McClelland & Stewart Inc.,1988. Prologue.

Black Movements of 1960

Kelsey Kindell Lauren Cherneski English 102 5 September 2012 Black Arts Movement of the 1960s The history of BAM, the types of entertainment, and their effects on society has the upmost impact on history today. Due to it being the only American literary movement to advance â€Å"social engagement† as sin qua non of its aesthetic. The movement broke from the immediate past of protest and petition (civil rights) literature and dashed forward toward an alternative that initially seemed unthinkable and unobtainable: Black Power.One of the most important figures in the Black Arts movement is Amiri Baraka (formerly Leroi Jones). Following the assassination of Malcolm X in 1965, Leroi Jones (Amiri Baraka) made a symbolic move from Manhattan’s Lower East Side to Harlem, where he founded the Black Arts Repertory Theatre/ School. According to the â€Å" Norton Anthology of African American Literature,’’ no one was more competent in the combination of the experiment al and the vernacular than Amiri Baraka, whose volume Black Magic Poetry 1961- 1967(1969) is one of the first products of the African American creative energies of the 1960s.Umbra, which produced Umbra Magazine, was the first post-civil rights Black literary group to make an impact as radical in the sense of establishing their own voice distinct from, and sometimes at odds with, the prevailing white literary establishment. The attempt to merge a Black-oriented activist thrust with a primarily artistic orientation produced a classic split in Umbra between those who wanted to be activists and those who thought of themselves as primarily writers, though to some extent all members shared both views.Black writers have always had to face the issue of whether their work was primarily political or aesthetic. Black Arts Movement influenced the world of literature, portraying different ethnic voices. Before the movement, the literary canon lacked diversity, and the ability to express ideas fr om the point of view of racial and ethnic minorities was not valued by the mainstream. Theatre groups, poetry performances, music and dance were centered on this movement, and therefore African Americans were becoming recognized in the area of literature and rts. African Americans were also able to educate others through different types of expressions and media about cultural differences. The most common form of teaching was through poetry reading. African American performances were used for their own political advertisement, organization, and community issues. The Black Arts movement was spread by the use of newspaper advertisements. The first major arts movement publication was in 1964. The movement lasted for about a decade, through the mid-1960s and into the 1970s.This was a period of controversy and change in the world of literature. One major change came through the portrayal of new ethnic voices in the United States. English- language literature, prior to the Black Arts movem ent, was dominated by white authors. The theatres, as well as cultural counters were based throughout America and were used for community meetings, study groups and film screenings. Newspapers were a major tool in spreading the Black Arts movement.In 1964, Black Dialogue was published, making it the first major arts movement publication. As the movement matured, the two major locations of Black Arts' ideological leadership, particularly for literary work, were California's Bay Area because of the Journal of Black Poetry and the Black Scholar, and the Chicago-Detroit axis because of Negro Digest/Black World and Third World Press in Chicago, and Broadside Press and Naomi Long Madgett's Lotus Press in Detroit.The only major Black Arts literary publications to come out of New York were the short-lived (six issues between 1969 and 1972) Black Theatre magazine published by the New Lafayette Theatre and Black Dialogue, which had actually started in San Francisco (1964-1968) and relocated t o New York (1969-1972). In conclusion, the impacts of Black Arts activities were the development of Black theater groups and Black poetry performances and journals, and both had close ties to community organizations and issues.Black theaters served as the focus of poetry, dance, and music performances in addition to formal and ritual drama. Black theaters were also venues for community meetings, lectures, study groups, and film screenings. Resources http://aalbc. com/authors/blackartsmovement. htm http://www. english. illinois. edu/maps/blackarts/historical. htm

Women as Commodity - 8899 Words

WOMEN AS COMMODITY Women As Commodity Since ancient times, There people who are being sold just like a mere things sold in a market to be slaves, pimp, and its quiet alarming that even naive child is a victim of this kind of discursive life. Women have been also analyzed to be part of those bundles of things paraded, bidded for, sold, and traded off despite the fact that women are making huge contributions for the development of their countries in different aspects today, still women are being tricked as commodity. In Shakespeares Much Ado About Nothing, not only focused on the love story of Claudio and Hero; the volatile relationship of Beatrice and Benedik but it also goes much deeper in exploring the tensions between†¦show more content†¦Maternity is now divisible into genetic, gestational, and social motherhood, and these roles can be spread among a number of women. This division is most apparent in the case of surrogate mothers, where at least three (and possibly as many as five) women can attempt to claim parental rights over a child. â€Å"If Mrs. A is infertile and Mrs. B agrees to provide ova to be fertilized in vitro with semen from Mr. A, and embryos are transferred to Mrs. C, who agrees to carry the baby to term and hand it over to Mrs. A and her husband after birth, the situation becomes extremely complex and the basic tenets of family law uncertain. This situation creates the potential for enormous conflict over who should be considered the ‘mother’ and has the concomitant parental rights and responsibilities for the child. For example, in the Baby M case, there was a conflict between two conceptions of ‘motherhood’, the legal (commissioning mother) and the biological (surrogate mother). Surrogacy breaks down and devolves the role of mother, separating the social and nurturing part of motherhood from the genetic contribution and the birthing process. Commercialization and Exploitation While surrogacy in general raises a host of social and ethical problems, I believe that commercial surrogacy in particular can crystallize the difficulties that many people have with surrogacy, and help us get to the core of howShow MoreRelatedWomen as Commodity8915 Words   |  36 PagesWOMEN AS COMMODITY Women As Commodity Since ancient times, There people who are being sold just like a mere things sold in a market to be slaves, pimp, and its quiet alarming that even naive child is a victim of this kind of discursive life. 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